I Tripped over tomorrow

I tripped over tomorrow
Looking back at yesterday
The football fields and beaches
The games we use to play.

I tripped over tomorrow
As it quickly slipped away
We had music we had laughter
Then the world got in the way.

I tripped over tomorrow
It seems to go that way
As tomorrow quickly passes
It becomes my yesterday.

I tripped over tomorrow
But here I choose to stay
I’ll catch tomorrow passing
And remember it someday

2 responses to “I Tripped over tomorrow”

  1. Melody J Haislip Avatar
    Melody J Haislip

    Lovely and so bittersweet. It’s hard to learn to live in the Now.

    Like

    1. Dan Sanders Avatar

      I stopped trying, so I live my life remembering yesterday, hoping for tomorrow, and doing the best I can with the time I’m in.

      Like

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Once There Was a Time

Once there was a time. It was a perfect storm of music, issues, and people all coming together at just the right time in just the right way in just the right places. Once there was a time that I think will never be equaled, and sometimes when I feel old—and those times happen more and more to me every day now—I see something or hear some music from the 1960’s and very early 1970’s, and I remember and  I smile. I smile knowing that yes, once there was a time, and I was there.

A very good friend told me once that I was his favorite hippie, and I told him it was likely that I am the only hippie he knows given our age difference and that we old hippie radio DJs are a dying breed.

I think many younger people today, and even some in my age group who might have somehow escaped the scars of the sixties, don’t realize that their idea of hippie is not what they might think. All hippies were not pot heads dancing naked at Woodstock or jamming to the Dead at the Fillmore. To me and to a lot of others, it was a belief, a lifestyle, and a commitment that while the world was not perfect, we could and would make it better.

I said “scars of the sixties” because of something I call “movement casualties.” We are the survivors who once believed so strongly in–and forgive me for using these terms—peace and love and making changes for the better, and then we watched as all our hopes crumbled. We watched as John F. Kennedy and Martin Luther King fell to hatred stronger than our love. We watched as Brian Epstein, Jimi Hendrix, Janis Joplin, Jim Morrison, Ron “Pigpen” McKernan­­­­­­­­, ­­Phil Ochs, and many others left us behind. But we kept on believing, and maybe for many the final blow came when John Lennon was killed.

We old hippies learned that all the things we thought we could do were not strong enough to stop bullets of hate or the despair of a drug overdose or a raging social or political lunatic.

My friend replied to my statement about being a dying breed by telling me it was time to pass the torch and joked that he would start growing out what was left of his hair, growing it long. I said the tie dye was optional, but he would need either a peace earring or a pendant.

Just recently I realized that I was indeed tired. Maybe I had continued the struggle longer than most and got tired of trying. I posted this on Facebook last Wednesday: “I quit. I am tired of jokers and fools and arguments. I am tired of trying to convince anyone that certain things are just plain wrong, so I quit. I tried. Now go on and believe what you want, do what you want, and say what you want because it has become obvious that nothing, I can say will make a difference in your way of thinking. So, I quit.

Maybe I should go put on some Grateful Dead or John Lennon music and remember and be glad that once there was a time. It was a perfect storm of music, issues, and people all coming together at just the right time in just the right way in just the right places. And I was there.

But then I remember what my friend Daniel Berrigan said when he turned 80 and was asked when he would stop resisting and struggling for change. He said, “The day after I’m embalmed, that’s when I’ll give it up.” He remained true to those words until he died at 95.

Mentors

He wore an ascot.  Even in the early 1960s, very few people wore ascots and none I had ever known. It takes a certain flair and a lot of chutzpah and mounds of dignity to wear an ascot, and wearing an ascot in New York City in the early 1960s could only be accomplished by the cream of class.

Mentors

He wore an ascot.  Even in the early 1960s, very few people wore ascots and none I had ever known. It takes a certain flair and a lot of chutzpah and mounds of dignity to wear an ascot, and wearing an ascot in New York City in the early 1960s could only be accomplished by the cream of class.

Standing on a windy corner in Manhattan in the middle of January as I had done on many mornings, waiting for the man who had become my mentor, it seemed the wind did not bite as much and the cold did not cut as deep.  I knew he would round the corner at any moment, sporting his brightly colored ascot and scarf and warm smile. He was never late, and I was there to learn my craft from someone who knew what it would take to make it.

Henry Bartel taught voice in New York City, and he was an on-air working professional at no less than a classical music station, a classical music station in the world’s largest city, New York!  Henry taught me how to properly pronounce names like Igor Stravinsky (you must roll that name), although  I aspired to be more like Wolfman Jack, Murray the K, Cousin Brucie Morrow, and Arnie “Woo Woo” Ginsburg, the Big Jocks who helped make Rock and Roll what it is.  It’s easier to say Lennon than Stravinsky.

You might think that Henry, a man of accomplishment in an ego-infested industry, would have such a big ego he would not have time to teach a young upstart, but just the opposite was true, and it was not an easy task. Born in the south, I had a slight southern accent, not the kind of sound that would be accepted in the major markets of our country.  Added to that, I was one of the most timid people on earth, and most professional teachers/broadcasters would probably have suggested I get a job in a library.

One morning I waited for his arrival, expecting to see that big smile and brightly colored ascot come around the corner, and Henry was late.  Henry was never late and was the first to tell me there is no word for “late” in Broadcasting, and I have lived by that my entire life.

As time passed, another professor walked by and asked “Dan, why are you here today?” I began to answer, and he stopped me and said, “Henry had a heart attack in the back of his cab this morning. I’m sorry, Dan, he is dead.” During the rest of my time in New York, the wind was harsher, the cold relentless, and the days a darker gray.  I never had a chance to tell Henry Bartel what he had meant to me and how much I had appreciated his help, but I went on to live my dream.  The shy kid with the southern accent worked in some of the best and biggest cities, including New York.

I don’t think there have been many times just before throwing the mic switch to “ON” and “GO UP, LIVE! ON AIR!” that I do not remember the man who helped make it all possible.  I will always remember Henry.

Midnight And Me

The person called Midnight is a blend of folks I came to know on the overnight gigs I have done in radio. My radio days are
forever behind me now, but those lonely voices on a
telephone still call me on cold and lonely nights.

Midnight and Me

The graveyard shift,
Or so some call it.
A place where
The dead are laid to rest
With other undesirables.

In radio
And other lonely places
Time passes slowly.
Midnight sweeps to 1 then 2
To 6 a.m.
It’s where people drift
When there’s no place left to go.

For me, it was my voice, my opinions,
And my music that were my shovel.
Losing myself in thoughts
Alone in the middle of the night.
Ideas and music flowed like wine
And I lost all track of time.

Then the phone would ring.
Oh no, not a ring!
You can’t have things ringing
In the On-Air studio.
A red flashing light,
Endlessly flashing, flashing, flashing.
Becoming a silent scream
Refusing to be ignored.
Answer me,
Answer me, answer me.
Phone call,
Phone call.
And many flashes later
I answer.

The voice said
“My name is Midnight.
Would you play a song for me?”

A wonderful world happens after midnight.
Lonely and creative hearts come out to play
No longer hushed by the glare of an unforgiving day.
So do the strange
and the deranged.
A cross-section of life begins to drift
In and out
On the graveyard shift.

The musicians finishing up their gigs
Dropping by
Because
Where do you go after 2 a.m.
When there is no place to go but home
And home is no place to go?
We had that in common,
The night people
And I,
As we tried to
Be glad to be alone
When all we wanted was to cry.
Sometimes it worked.

Midnight was neither a lonely heart
Nor a musician.
Just a night soul on a quest for tomorrow’s meaning
And yesterday’s reasons.
A late-night spirit who came to listen
Not just to the show
But to the lonely gravedigger.

And then Midnight would listen more
More from this lonely
Drifting vagabond
Wandering through town.
Both the ringmaster
And the clown.

Through so many passages
Of my life, Midnight came to listen
Again, and then again.
Helping me through the
The dark dances of a searching soul
The journey of one growing old.
Dreading the dimming of the light.
Cursing the flickering flame
Fading in the middle of a winter’s night.

And many years later
Midnight came and cared again.
I guess I never really let Midnight know
How much they helped to make my life
A possible dream
Keeping me from going too far adrift
there on the graveyard shift.

It’s time I let you know
You gave my life a special glow
Pushing time along.
Your memory travels where I go.
Thank you for all that could have been
And for what was.
Lost in the glow of life’s footlight

Now dimming. 

Goodnight, Midnight, goodnight. 

 

 

The Secret of the Cracks

In the light of yesterday’s Nightmare No waking hour And again today No bell To end the night And bring the light To close The pain The night did bring To end this bad dream Tomorrow will come I pray it so But yet it brings Another day on sadness row Against the curse of … Continue reading “The Secret of the Cracks”

In the light of yesterday’s
Nightmare
No waking hour
And again today
No bell
To end the night
And bring the light
To close
The pain
The night did bring
To end this bad dream
Tomorrow will come
I pray it so
But yet it brings
Another day on sadness row
Against the curse of time
No matter the defenses
The consequences
Death is the unavoidable nemesis.

I sat today in a church
Not my church
Staring at the life-size cross
Of wood
With cracks in seams
It seems the cracks are the same
As in my dreams
Sacrifice the blood
Give up the body
Lose life
The heart breaks
Split like the wood
​Yet life goes on
It has no choice
Just as the cross does not fall
It has no choice
It hangs by ropes
Tethered to the ceiling
Away from the floor
But reaching neither
So it hangs instead
As if trapped between heaven and hell
It never fell
Its cracks showing the assault of time
Like the body as it gives in
Too many days too many nights
Too long the fight
Too small the hope
Life cracks and splits like wood
The cracks
Healing not
Left in the heart
Hang on
No place to go
But the journey continues
Left hopeless to begin or end
Only to hold on and await
The waves of time
Until the final lonely moment
Takes me under
Then maybe I too will know
The secret of the cracks.

Someplace, to Rachael

I still have the picture

And the memory of a cold snowy night

In Washington

In the early 1970s, I was living in Washington, D.C., as part of CCNV, the Community for Creative Non-Violence. I would get gigs speaking at coffee houses, bars, and the occasional college or university. It was all part of CCNV’s outreach, attempts to bring awareness, first to the Vietnam War, and later in D.C. to the brutal conditions of the homeless population. Sometimes my appearances were only personal, reading poetry I had written either as a child or young adult or before, during, or after prison. It was at one of those personal times, a time when I was feeling overpowered with loneliness and confusion while reading in a coffee house/bar just off DuPont Circle, that I met Rachael. Rachael was a military brat whose dad worked at the Pentagon and just saying hello to me could have caused all kinds of problems at home, but she did say hello at a time when I desperately needed someone to say hello. I know at the time we both needed a friendly hello.

( podcast reading at bottom of the poem)

I’m balancing on a barstool

Caught in a solitary light

Reading my poetry

In a coffee shop

Just off DuPont circle.

 

The night is cold

Snow falling in quiet wisp

Like little wintry feathers

Searching for angels lost in hell.

 

You’re listening to me

Tilting your head just so to one side

Chin cradled in the palm of your hand

Arm curving to rest

On the wooden table where

A glass of wine sits waiting

Untouched.

 

Your ring sparkles,

Held in the soft glow of Tiffany

Like a beacon

Guiding the way

To you.

 

It clings close to your finger

Afraid of slipping away

Afraid to be lost

Lost in the dark

Lost in the cold

Lost in the lonely.

 

We spent that night

And more together

Clinging close to each other

In frightened desperation

Afraid of slipping away

Afraid to be lost

Lost in the dark

Lost in the cold

Lost in the lonely.

 

One morning you were gone

Leaving a picture.

You’re tilting your head just so to one side

Chin resting

Cradled in the palm of your hand

Arm curving away

Leaving me

Like your wine

Untouched.

 

Your final words

Fading in my memory

Like the image you left:

“If you ever need or want a warm place to stay

You know where to find me.”

 

That was more than 50 years ago.

I have never looked for you

Even when I was cold and lonely.

 

I don’t remember the name of the coffee shop

And I’ve lost the old poetry

But I do remember you

And the ring

And how you would tilt your head just so

To one side.

 

I still have the picture

And the memory of a cold snowy night

In Washington

Tucked away safely

Caught Red-Handed

I remember thanking her, and as I rolled back to sleep I realized that if it were true, that the war was over, then this would be the first time in my adult life that I would not have the Specter of Death, the Vietnam War, skulking around the corners of my life. What would I do now?

Beginning at the age of 16, there was one big scythe swinging over me, ready to chop me down like the end-of-summer wheat and anything my future might hold. Any success I would ever have in love and life hinged almost daily on the events in a land very far away that many had never heard of. And the scariest part of all was having little control over how these events would shape the immediate years of my life. It all depended on how the reapers in D.C. would handle them. All the power was resting in the hands of a few old men hungry for dominance and embarrassed by failure. But at 3 a.m. on January 23, 1973, a friend woke me to tell me that the Vietnam War had ended.  I remember thanking her, and as I rolled back to sleep I realized that if it were true, that the war was over, then this would be the first time in my adult life that I would not have the Specter of Death, the Vietnam War, skulking around the corners of my life. What would I do now?

At the time, I was living at the corner of 13th and Euclid street in Washington, D.C., a part of the U Street Corridor, sometimes called Cardozo/Shaw or Cardozo. From the 1920s until the 1960s it was the city’s black entertainment hub called Black Broadway and the heart of black culture in D.C. I lived there in the 1970s before the area fell to the sickle of gentrification, changing the demographics.

The house I lived in was part of the larger Community for Creative Non-Violence, simply known as CCNV. The house had been started by Mitch Snyder who would later become known as one of the most influential people ever involved in the struggle to help the homeless and was the subject of a made-for-television 1986 biopic Samaritan: The Mitch Snyder Story, starring Martin Sheen. We worked closely with our companion house in Baltimore called Jonah House, which had been started by Phil Berrigan, a Roman Catholic priest, after he was released from Danbury Federal Prison, a residence he had been given by the powers-that-were because of his acts of civil disobedience against the Vietnam War. Before this, as a priest in the deep south, Phil had been involved in the civil rights movement and the freedom rides and was one of the first white priests, if not the first, to take part in a civil rights march in the south.

But now we all had a question, the same question that paced through my dreams that night in January. What do we do now? Where to put all the energy that once went into bringing an end to the war? Resistance to oppression in all its ugliest forms from racism to war must continue.  Mitch and the rest of the Euclid Street members felt that helping the homeless was the greatest need. Phil Berrigan and Liz McAlister and the rest of the Jonah House people felt that nuclear disarmament was where we should put our efforts. Because I had started life in the “Atomic City” of Oak Ridge, Tennessee, where my dad had worked for the Manhattan Project, I grew up with some of his thoughts on nuclear weapons and war, and I was leaning toward the Jonah House group, which I joined, and moved to Baltimore.

While refreshing my memory of my time with Jonah House, I came across a line written by Phil Berrigan and Liz McAlister in their book The Time’s Discipline: The Beatitudes and Nuclear Resistance from November 1975: “Dan Sanders, Jim McNeil, and Phil Berrigan painted ‘Disarm Now’ at the embassies of the nuclear club.” This “club” was all the countries having nuclear capabilities, and in fact, we had done that at the British, Indian, and French embassies with stencils we had made the night before and cans of red spray paint. So armed, we left Jonah House in Baltimore under cover of night and drove to Washington, D.C. with our maps and previous reconnaissance (remember, this is 1975, a time before computers, cell phones, and GPS systems).

It was a cold windy night in November as we made our way around corners and under cameras. Looking back now, I think I may have felt almost Ninja-like—Dan Sanders, Peace Ninja—yeah, that was me. But we soon ran into one big problem, the wind. While spraying the stencils to the sides of the buildings the wind blew and the red paint ended up all over our hands. But we completed our mission and moved on to the next embassy. At around two in the morning, as we roamed about looking for the Russian embassy, it became clear that either the Russians had heard about us and moved the embassy or we had the wrong address based on or own bad intel, but we continued the search.

I always seemed to be the driver on our adventures, but it wasn’t for a quick getaway, not in a VW bug, and when I saw the flashing lights and unmistakable sound of a police car siren in back of us, I pulled over and a plain-clothes government guy with a plain face got out of his plain-looking car and walked toward me. I remember looking at Phil and saying I think we are done for this night. As the plain-looking man stood at the car window asking for all the necessary documents, driver’s license and registration, I knew we were done for more than the night when I handed him these things with hands covered in red paint. The three of us were quickly handcuffed and taken off to jail, and to this day I do not know what part of D.C. we were taken to. The three of us were put into one cell and the processing began, as one by one we were taken out for interrogation. I imagine they wanted to compare the stories they got from each of us. They took me first, and I was asked by the plain-looking man in the plain-looking clothes what it was we were trying to do. His plain face did not break into even a plain-looking smile when I said we were trying to find a hardware store for more red spray paint. Phil was the next to be interrogated, leaving me and Jim in the cell. Jim, a seminary student, asked what kind of time I thought we might be facing and I said considering we defaced the property of three foreign governments I figured about 5 years apiece or 15 years, and Jim gasped and said, “I can’t do 15 years. I have a test next week!” 

We were held overnight but released the next day when the British, the only ones to react, dropped the charges. But from that shaky red-handed beginning almost 50 years ago people like Elizabeth (Liz) McAlister, peace activist and former nun of the Religious of the Sacred Heart of Mary, and others at Jonah House still carry on what is now known as the Plowshares movement, so-called from the writing of the prophet Isaiah who urged the people to “beat their swords into plowshares” and learn war no more. Their aim is to stop nuclear proliferation, and they were still in jail as recently as the fall of 2019 for nonviolently and symbolically disarming the Trident nuclear submarine base in Kings Bay, Georgia, on April 4, 2018. I am so proud to have been part of the beginning of that continuing effort.

February 2nd, Now and Then?

Many years ago, I had double pneumonia, a high fever, and was pretty much semiconscious for over a week. As my big old Main Coon cat Pericles kept watch never leaving my side…

There are many interpretations, beliefs and opinions surrounding the number 2. The number is considered by some to be a very powerful angel number that will bring a lot of good things into your life. But the first and the most important meaning of this number is balance. It’s believed if this number keeps appearing in front of you, it means that you need to try to find balance in your life. 

Many years ago, I had double pneumonia, a high fever, and was pretty much semiconscious for over a week. As my big old Main Coon cat Pericles kept watch, never leaving my side except for personal necessities the entire time. This was the first of what would be many times over the years that I had this dream.

The dream was about avoiding death, not once but twice, twice in the same day. In the first part of the dream, I’m in an office building watching businesspeople in suits carrying briefcases rushing from place to place. I’m walking slowly, amazed at the spinning lunacy around me and I notice part of a guard rail is missing and I watch just as someone hurrying and not paying attention fell through the opening and down several stories to their death. The office number I was in front of was 222. In my dream, that same day on my way to get my car I see a crowd of people standing looking down into a huge hole in the road, as I heard one say, “if anyone is in there, they are dead”, it was my car in that hole. The street address was 222.

Since that time the number 222 has shown up in my real world and in my dream world and truthfully, I’m never really sure which is which, but at very rare times, times when something really important either good or not so good was happening or about to happen in my life there has always been the number 222 somehow involved.

I’ve looked this number up from Bible to babble and as I said there are many interpretations.  The number 2 is considered my some to be a very powerful angel number that will bring a lot of good things in your life. Again, the first and the most important meaning of this number is balance. It’s believed that if this number keeps appearing in front of you, it means that you need to try to find balance in your life.

Number 2 is also a symbol of peace and harmony, as well as a symbol of cooperation and consideration. If this number appears in your life very often, it means that you should try to be more co-operative and to have better relations with people around you.

So, truth or fiction, powerful or meaningless, today is February 2, 2020, or 2/22/20. I’ve often wondered what will happen in my life when it reads 2/22/22?

 

Dreams, Yesterday and Today

As I climb to the top of this hill, I look down into a harbor where there are sailing ships of all types, some with their white sails unfurling, getting ready for faraway adventures, and others with sails furled against the mast, home from a long voyage.

I have had two recurring dreams. In one, I’m walking at night under the flickering glow of gas lamps along cobblestone streets. I’m dressed in the style of the English gentleman of the 1800s, wearing a vest with a high-collared shirt and an ascot. I have a waistcoat with the ever present pocket watch on a long gold chain and of course a top hat. In those days it was frowned upon to be seen outdoors without the proper headgear. While the name is never mentioned, in my dream it is very clear that the man I am walking with is Charles Dickens. I have always had a strong attraction to the Victorian era, and I have always had a love of pocket watches on long chains, vest, and ascots, even before I remembered the dream.

In another dream, I am a young boy of perhaps 15, and I am walking up a hill on a summer day, all blue skies and white puffy clouds. The year is sometime in the 1700 s, and I’m dressed as a teenage boy would have been in those days, wearing a type of sailor’s suit. While wigs were a fashion for most men, boys wore their hair long instead, and from my late teens until now, I have by choice worn my hair long and would have it no other way. As I climb to the top of this hill, I look down into a harbor where there are sailing ships of all types, some with their white sails unfurling, getting ready for faraway adventures, and others with sails furled against the mast, home from a long voyage. The boy in my dream, looking down at this harbor, dreamed of the day he too would set sail. About two miles from where I sit writing this, there is a hill I walk up, and at the top of that hill I look down on the same harbor, Old Boston Harbor. The skyline has changed and most of the sails are gone, but I know this place, I can feel this place, I have lived in this place before. This area has always called to me. I knew it from the first day, and the feeling is no less now than it was the day I arrived. I often wonder if I am the boy of long ago dreaming of a distant future, or the man of today remembering a long ago past.

Jackal on My Grave

   Fall’s curtain descends too soon.
In the middle
Of the third act
The lights dim.
Darkness hides
A good actor
In a bad play
Smothering his final words
He bows.
Expecting no roses
No standing cheers
No encore
No bravo
In early dark
Shadows dancing
Way too early
Mistress of light
Will have her way.
To dance in the yard
Like a jackal on my grave.

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My Quietly Awesome Life

and not long after that I managed to get myself into UCLA, a den of free-thinking, open-minded radicals in search of knowledge and a healthy dose of peace and love.

 

I have had an incredible, remarkable, wonderful life, so far. I add so far because it really bothers me to hear someone say I have lived in such and so a place or done such and so a thing for my entire life. Your entire life? Good grief! Shall we plan the funeral now?

So yes, to this point I have had an incredible, remarkable, wonderful life. Now, in the interest of clarity, or as one hackneyed expression states, in the interest of total transparency, I have never done anything particularly incredible or remarkable myself. People tell me I should write a book, but there are many reasons I will probably never do that, not the least of which is no one wants to read about someone they have never heard of no matter how interesting their experiences may be. If I had been a noted politician or had won multiple Super Bowls or had been a rock star, people would want to read about my life, no matter how otherwise mind-numbing it may have been.

In high school there were about six of us close friends who lived in the same neighborhood, all very good students and all good athletes, and when I think about the trouble we got into we should have been nominated for sainthood compared to some of the kids today. My friends had lofty ambitions–Chris was going to become a Merchant Marine, Jimmy some type of business tycoon, David would probably become a scientist–and along with great success would come large sums of money. Beyond the need to survive, I have never been very motivated by success or money. I did want a career in broadcasting, but it never crossed my mind to become highly successful. My goal was much different. I wanted an incredible, remarkable, wonderful life.

Other than painting the inside of a closet, assigned to me by my father when I was around 10 years old to keep me out of his hair as he painted, my first real job was working as a cashier at a local grocery store on Staten Island, New York. I don’t remember the name of the grocery store, but it shared a building with a New York department store legend, E.J. Korvette, which was founded in 1948 by World War II veteran Eugene Ferkauf and his friend, Joe Zwillenberg. Korvettes defined the discount department store and was one of the first to challenge the suggested retail price provisions of anti-discounting statutes. It displaced earlier five-and-dime retailers and preceded later discount stores like Walmart and warehouse clubs such as Costco.

While working at the nameless grocery store (it may have been A&P), I also got a job working at a radio station, WSLT in Ocean City, New Jersey. They ran an ad in Broadcasting magazine, and I sat in my room one day with a reel-to-reel tape recorder, a device I’m willing to bet many of today’s radio people have never even seen, and sent out a tape. I don’t remember what I said, but I remember one of the songs I added was “The Lonely Bull” by Herb Alpert, and the next thing I knew Sunday mornings were all mine, and all mine may have been pretty much the truth. I’m sure at 6 a.m. on a Sunday morning in Ocean City, New Jersey, not too many people were listening to what was then called MOR (middle-of-the-road radio), which translates into, “let’s try to not offend anyone musically.” And so the spring and summer of 1964 was a magical time for me.

Meanwhile back at the grocery store (it may have been Safeway), I got into a conversation with a man I assumed was a laborer of some sort, dressed in dirty khaki pants, a slightly worn flannel shirt, and dirty work boots on a weekday afternoon. My last guess would have been that he was on the board of directors for the Cunard cruise line, which turned out to be the case. That encounter led to a paid trip to Pace University and a job in the “inward freight department” at Cunard. So I left the nameless grocery store and WSLT radio, and all I had to do was promise to live out my life and grow old and bald and fat at Cunard. But after a few brain-numbing months in bills-of-lading land, I threw my tie in the Hudson River just off Battery Park in Manhattan and swore never to work in an office again. This, of course, also ended my paid ticket at Pace, and I was soon at the Washington Square campus of NYU. Washington Square is in Greenwich Village, and in the mid-1960’s, it was THE place to be. But I was still a business major, and two double periods of accounting every week was never going to make me anything but nuts. It was not my thing, not for the kid who had experienced Sunday mornings at WSLT radio.

In 1967 my dad died, and I was declared a family hardship case by the family doctor to keep me from going to Vietnam, and not long after that I managed to get myself into UCLA, a den of free-thinking, open-minded radicals in search of knowledge and a healthy dose of peace and love. I still had a college deferment from my previous two attempts at higher education, and since the government hadn’t realized it, I also had a hardship deferment. I was doubly deferred and was more likely to end up in East L.A. than Vietnam. Damn, that was better than bad feet, and I never planned to run for president anyway. The problem was I couldn’t accept the deferments and at the same time lose two friends from our glory days on the football field to their deaths in the rice fields. More on that, someday.

I have no doubt that most of my friends from high school went on to become very successful as success is measured by traditional standards. Even people that I have met as an adult have since placed their marks on the ledger of accountability and profit margins. But I wouldn’t trade their money and stardom for my incredible, remarkable, wonderful life. This is not to say that a person can’t be happy doing one job or career for their entire life (I think, I hope).

They say you should write about what you know. I have been a DJ and have driven a bulldozer through the swamps of Louisiana, hung safety railing on high rises, worked with intellectually challenged adults, and sold Christmas bobbles in a year-round Christmas store. I worked as a groundskeeper at a resort on the Pacific Coast Highway in California and at KRML radio in Carmel long before it was made famous by the movie Play Misty For Me. Two of my first jobs in Boston were as a doorman/bouncer at Fridays Restaurant & Bar on Newbury street and as a painter at Newbury Junior College. I also had this odd job working out of a basement putting vitamins in envelopes for people who ordered by mail (no Internet in those days). And believe me I have barely scratched the surface. Let us not forget I spent two years in prison.

I have known some amazing people from all walks of life–musicians, actors, writers, visual artists, and politicians–some that people will read about hundreds of years from now and some whose names you will never know, but all are amazing people.

What I have never done is make a lot of money or leave a name behind on anything I have ever accomplished. Someone asked me once, referring to radio at a time when I was doing something else and missing however dim the limelight had been, if I had had a chance to live my dream, and my answer was yes, but what I didn’t say was my dream was always to just have an interesting life and not be bored, and I can say I have done that and the dream lives on.

So, the book may never happen, but I do have some things to say and partly because there are people who have mattered to me who may want to know a little more about me. And I stink at writing letters. I have family I have never met, and I’m sure when my nephew declared me the patriarch of the family, a chorus sang, who’s he? And I have friends who might care or be mildly amused.

I had one more hope when I was young, something I wanted written as my last words in life, and with all the good and all the bad weighed together, I can still say: I’m glad I passed this way. Still passing, and more to say.

“The Ballad of the Sandman” by Mike Agranoff, Intro by Dan Sanders

Hi, welcome back, or is it I who has returned? This week I’m doing something very different. For the first time in the roughly ten years or so that I have been blogging and podcasting, I have a guest, sorta. His name is Mike Agranoff. I do not know Mike personally, but he is a musician, folk singer, and poet, and we have been in touch over the years by email. He has a piece of poetry that I have loved for many years called “The Ballad of the Sandman.” The first time I wrote to Mike was about 7 or 8 years ago asking if I could publish his piece on a blog as part of a fundraiser I planned to do for a memorial for my wife who lost her battle with cancer on September 27, 2011. I was going to raise money to place a permanent bench overlooking the harbor and ocean at a place we use to visit to watch the ships go out to sea and come back in again. I never did do that fundraiser, but Mike’s response was instant, saying “Yes, of course, you can do that for your wife.”

“The Ballad of the Sandman” is a piece of writing that anyone who has spent most of their lives behind a microphone will relate to, but I think it’s also a piece that will bring back memories to anyone who grew up listening to “real” disc jockeys, people you got to know and who became your friends through a box that sat on a table and had a dial and needles and sometimes static and woke you in the morning and kept you company in the middle of the night.

As some of you know, I came of age on Staten Island, a reluctant borough of New York City, for years wanting to secede from the city. I never did understand why. In the late ’50s and ’60s it was a good place to be, close enough to the big city and yet isolated and country. In fact, in high school, we would play football teams from the inner city–Bedford Stuyvesant, the Bronx, Queens, and others–and as they would line up against us, the calls of “country bumpkins” and “how do we get off this hillbilly island” would only serve to make us more determined to lay a beating on these city slickers, and most of the time we did.

At night when all the games were done, it was radio time with friends–yes to us they became friends because they would talk to us–Cousin Brucie, “Dan” Daniel, Jonathan Schwartz (a name you will hear in Mike’s reading of “the Sandman”), and of course, Wolfman Jack. Those are only a few of the names that led me into broadcasting.

Mike said I could do the reading of his work and at some point, I will try my interpretation, but I think no one can read something the way the person who wrote it can, although, as Mike pointed out to me, he does not read his work. It is all done from memory, which amazes me because it’s not a short piece. At the end of this blog, I have included a link to the written version of “The Ballad of the Sandman” and a link to Mike’s website, if you want to contact him directly.

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Link to Mike Agranoff  http://www.mikeagranoff.com/

Link to The Ballad of the Sandman http://www.mikeagranoff.com/lyrics/Sandman.htm