Matches and Money: A Sanctuary Strategy for Resistance

Tomorrow, Saturday, October 18th, is the nationwide “No Kings March”. And I’ve been beating myself silly because this time I’ve decided that I can’t go—not that I don’t want to, but that I can’t. The primary reason is that my back has been so bad this week, I’ve spent most of my time in what’s called the non-violent prone position. In this case, that means flat on my bed.

And while I was lying there, writing the great American resistance novel on my ceiling, I kept thinking about an article I’d just read by Brian Huba published in”The Hill” today, October 17th. He was talking about another form of resistance—one I’ve always believed in. The kind that hits them where it hurts: the pocketbook.

Now, I’m not pretending that my low participation in the general ebb and flow of the almighty buying power of the dollar will make much difference. And I’m not saying it can replace the power of demonstration—of people gathering to make our voices heard and to send a signal, both to each other and to the Gestapo in DC: ‘We are not alone.’

But I’ve been thinking about pressure. Not the kind that crushes, but the kind that carves. The type that reshapes stone into sanctuary. And lately, I’ve come to believe that the most potent pressure we can apply—politically, spiritually, economically—is a two-part ritual: matches and money.

Let me explain.

We’ve been taught to march. To chant. To gather in the streets with cardboard signs and aching knees. And yes, there’s power in that, and there’s power in the crowd. But maybe the real revolution isn’t in the march, but in the match? Not the kind that burns buildings. The kind that lights candles. That ignites awareness. That says: ‘I see what you’re doing, and I will not fund it.’

Because the truth is: the system doesn’t fear our voices. It loves our wallets, our money, and it fears losing them. It fears our cancellations, our divestments, our refusal to play along. When we cancel a subscription, we’re not just saving $14.99—we’re pulling a thread from the tapestry of complicity. When we stop feeding the beast, the beast gets hungry.

Brian Huba said it plainly: maybe the most radical thing we can do right now isn’t to protest in the streets, but to unsubscribe, to stop paying for platforms that profit from our pain. To match our outrage with economic consequences.

So, I’m lighting matches. Quiet ones. Symbolic ones. I’m canceling, redirecting, reimagining. I’m spending like a poet—every dollar a stanza, every boycott a verse. I’m building a sanctuary where resistance isn’t just loud, it’s strategic.

Because when matches meet money, we don’t just protest. We pressure. We don’t just speak. We shift.

And yes—I will march again.

But first, I get the MRI.

First, I listen to the good doctors—the ones I trust to tell me how to walk without pain, how to stand without flinching.

Because resistance isn’t just about showing up. It’s about showing up whole.

And when I do march again, and I will return, I’ll be carrying my flag and my banners, not just as protest, but as testimony.

Proof that healing is part of the revolution, too.

—Dan

Rambling Harbor, where even the receipts are revolutionary

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Introduction

I never meant to write a war story. I meant to live a life. Not the kind that ends up in textbooks or on movie screens, but the kind shaped by quiet choices—by sitting down when others stepped forward, by saying no when silence was easier. This book isn’t about the Vietnam War or the peace movement. Those stories already fill libraries. It’s not about my years behind the mic as a radio broadcaster—that came later. Nor is it about the loud ones: the noisemakers, the celebrities, the politicians, or the filmmakers chasing spotlight and legacy.

This book is about quiet defiance. About extraordinary moments tucked inside an otherwise ordinary life. Mine.

During the Vietnam War era, roughly 570,000 young men were labeled draft offenders. Of those, 210,000 were formally charged. Just 8,750 were convicted. And only 3,250 were jailed. Less than one percent. This book is about that final group—the ones history rarely names, Hollywood never casts, and textbooks barely mention. It’s about my friend Kevin, who said, when we reconnected after Daniel Berrigan’s passing in 2016, “Dan, we didn’t go after the government; they came after us. We just wanted to live our lives.” Kevin was right. We wanted to live, and we wanted the boys sent to fight in a war we didn’t choose to live also.

I’m proud to say I was one of the 3,250 who said no. We said it quietly, but loud enough to keep our souls intact while they locked up our bodies. I tell only my part of the story, but I know I’m not so different from the other 3,249. Maybe I can make a little noise for all of us.

I once asked my father what happens when we die. We were walking a dirt road in the Deep South, the heat thick as molasses. I was nine. My dad, a scientist in spirit and mind, told me energy can’t be created or destroyed—it only changes form. Since the human body is mostly energy, it too must become something else. That left me with the unsettling idea that I might not become a mighty oak, but a daffodil on the side of a hill. Maybe my life has been a long attempt to be the oak, not the daffodil. But the jury’s still out.

I never planned to oppose a war, and I certainly never intended to write a book. If I had, maybe I would’ve kept a diary—or at least some decent notes. What few I scribbled on barroom napkins or in stray notebooks are long gone, buried in some landfill. Hopefully, raising a mighty oak. But I do remember a few things.

I’ll tell you about growing up on Staten Island—football, beaches, music, and radio. A middle-class kid with few worldly cares and a head full of books. My first dream was to be a radio star. That dream shifted when friends started coming home in body bags—boys who could run, jump, and catch with the best of us, now still forever.

I’ll try to explain how a painfully shy kid found the courage to sit down instead of stepping forward at Whitehall Station—the military induction center in New York City where young men were processed for the draft. The routine was simple: They underwent a written aptitude test and a physical examination to determine fitness for service.

Based on these evaluations, they were classified (e.g., 1-A for fit, 4-F for unfit). When your name was called, you stepped forward to begin your journey into military service. But I didn’t. I sat down. I don’t know if fear buckled my knees or if I’d read somewhere that sitting was the perfect nonviolent act. Maybe it was both. Either way, that quiet refusal marked the beginning of my resistance.

I’ll take you from New York to the mountains of West Virginia, to a woman named Emily who taught me how to live off the land. Then, to a woman older than I was, with three children, about her, and the court fight for custody of her kids and one of mine. I’ll tell you about my arrest in Hollywood and the cross-country ride back to New York, escorted by U.S. marshals. And the old judge who nearly begged me to take one of his get-out-of-jail-free cards.

I’ll talk about meeting Daniel and Phillip Berrigan in prison. And how resistance didn’t end behind bars, as shown by my trips to solitary confinement for refusing to walk the prison lines. I’ll tell you about fellow inmates like Howard Hunt, G. Gordon Liddy, and Clifford Irving—and the handful of other draft and war resisters. I’ll finish with life after prison.

3,249 other stories may or may not be told. This one is mine.

Dan Sanders

July 2025

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Rating: 1 out of 5.

Chapter 1: Ties, Offices, and Draft Cards

I need to revisit something I said in the introduction. I called my life ordinary. That was a misfire. Looking back, it’s been anything but. What I should’ve said is that there were ordinary moments scattered through an otherwise extraordinary life. I grew up alongside kids who mapped out their futures with surgical precision—future CEOs, most likely. Me? I had a plan too, though it felt more like a whispered plea to the universe: Please, God, don’t let my life be beige. No cubicle coma. No death by fluorescent light. I’ll tell you soon how close I came to that fate—until I tossed my tie into the Hudson River like a message in a bottle. Still the best decision I ever made.

As I started writing about my life, one emotion kept erupting like a brainquake—volcanic, relentless. It left me slack-jawed, arms limp, staring at the screen like I’d just seen a ghost. If you’ve ever tried writing in that state, you know it’s like trying to type underwater. And that emotion? The gut-punch realization that, holy hell, this is ancient history. Am I really that old? Who was she? Who was he? Did I actually do that? A Ulyssean train wreck of memory and feeling, barreling through time.

From the moment we’re born, we’re shaped by sound, sight, touch, and experience.

I was sixteen in 1962 when the Cuban Missile Crisis hit—a high-stakes staring contest between the U.S. and the Soviet Union, triggered by Soviet missiles in Cuba. It was the closest we ever came to turning the Cold War into a full-blown nuclear nightmare. But in my corner of Staten Island, the “wonder years” of the 1950s still lingered like the scent of summer on a football jersey. My friends and I spent our days at the beach, dreaming of October and kickoff season. But that October was different. For thirteen days, the whole country held its breath. I did too, hoping the football field would still be there when morning came.

My dad had worked on the Manhattan Project. He didn’t talk much about it, but I knew he carried the weight. He once said the first bomb should’ve been dropped on Mt. Fuji as a warning, not on Hiroshima. That act, he believed, was revenge—rage disguised as strategy. And now, just seventeen years later, we were back on the brink, flirting with annihilation.

Three books helped shape me in those early years. First was Elie Wiesel’s Night—a raw, haunting account of surviving Auschwitz and Buchenwald. Years later, I’d sit at the dinner table with a Tufts professor who’d lived through it. His stories etched themselves into my memory like carvings in stone. The second was Black Like Me, where John Howard Griffin darkened his skin and walked through the segregated South to see what it meant to be Black in America. I couldn’t have known then that I’d one day I’d call Phil Berrigan—a white priest who rode with the Freedom Riders—a friend. The third was Fail-Safe, serialized during the Cuban Missile Crisis itself. It imagined a nuclear war sparked by a glitch. Fiction, yes—but terrifyingly plausible.

Heavy reading for a sixteen-year-old. I don’t know what other kids were reading, but those books rewired my brain. The wonder years ended in 1962. I graduated from high school in ’64, skipped the ceremony, and refused the yearbook photo. Some of my teammates had gone off to war. Some came back in boxes. I didn’t want the pomp. I wanted silence. My mom was quietly heartbroken. My dad understood, though he never said so.

In ’63 and ’64, I had a summer gig at WSLT Radio in Ocean City, New Jersey. Two hours each way from Staten Island, but I had a license and a dream. Sunday mornings were mine—I was king of the airwaves. The worst part was driving through Newark, where the air tasted like burnt rubber and my gum absorbed the pollution. I think of that now, as climate change becomes the new crisis.

I was supposed to start at Pace University in September ’64. Tuition paid. The catch? A lifetime at Cunard Steamship Company. I lasted six weeks. One hot day, I walked into Battery Park and threw my tie into the Hudson. That was my declaration of independence. My boss called. My mom worried. My dad? Not surprised.

I kept the Sunday radio gig.

Meanwhile, the world was shifting. In December ’63, Eugene Keyes burned his draft card on Christmas Day. In May ’64, I got mine—and joined a protest in Union Square. Fifty of us. My mom thought I was with my girlfriend. My dad probably knew better. Burning that card was symbolic. I had a deferment, and I wasn’t headed to Vietnam. But I broke two laws: failing to carry the card and destroying government property. I kept the ashes in my pocket.

I haven’t been back to New York since 1968. But one day, I’ll return to Battery Park. And remember.


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Rating: 1 out of 5.