Eleven Days in September

A few thoughts here are hard for me to write, because they force me to relive some of the worst days of my life. I’m sharing them because maybe it helps the healing, and because it’s more than Mother Nature and her climatological shenanigans that make me hate September. I’ve never been a fan of the month anyway. And I know I’m not the only person who has been — or is — going through tough times. When you mix difficult life issues with a chemical imbalance called SAD (Seasonal Affective Disorder), life can become a Ulyssean train wreck of emotions, senses, and befuddled thinking.

SAD is a mood disorder tied to seasonal changes, usually showing up as depression beginning in the fall and lasting through winter. It’s caused by a disturbance in the body’s circadian system. My condition is minor compared to what some people I know experience. I once worked with a woman who could cry at a funny joke — and she wasn’t pretending. And then there are the doubters who say things like: get over it; it’s not real; don’t let things get you down. This piece is for anyone who’s heard that too many times. I often think of James Joyce’s line: “Your battles inspired me — not the obvious material battles but those that were fought and won behind your forehead.”

In June of 1997, summer — the season of good times and hope — shattered into a million heart‑piercing fragments. After a misdiagnosis that let her cancer grow unchecked, my wife finally learned the truth. By then, the prognosis was treatable but not curable. It would one day take her life.

So we began living six months at a time. From one blood test and body scan to the next, we held our breath, never knowing if this time would be the last. We did that every six months for fourteen years.

Jennifer began thirty radiation treatments in a row. The burns were third‑degree. She would lie curled on the floor outside the treatment room, in pain from the day before, waiting for the next round. I was always with her — holding her as tightly as I could, sometimes curled beside her on that cold hallway floor, trying desperately to absorb even a sliver of her agony.

After radiation came two weeks of intensive chemotherapy. And then, almost a year later, as her body began to heal, she developed severe panic attacks. She couldn’t leave the house or be left alone. Once, I was gone for no more than fifteen minutes. When I returned, she was clinging to her chair, sweating, crying, begging me never to leave again.

Jennifer was not a coward. She was strong. Brave. But the disease was killing her in ways no scan could measure. I had already quit my job in broadcasting. There would be other jobs — or not. I wanted to be home so she would never feel alone.

By the end of 1997, we had at least put cancer in remission. With good doctors, counseling, and Jennifer’s relentless determination, she resumed what passed — at least to the outside world — as everyday life. Inside our home, we cocooned, believing that if we locked the world out, nothing could get in to harm us. The two of us were enough. And that’s how we lived — six months at a time, always together.

I had my own ways of coping — music and writing. I learned to live not just one day at a time, but sometimes one minute at a time. I didn’t yet realize how deeply life was carving its marks into me.

By the summer of 2009, traditional chemotherapy stopped working. Our six‑month reprieves ended with the doctor’s quiet words: “There is no more we can do to beat cancer back; it is spreading rapidly now.” I cried that day. But the worst day was still ahead. Suddenly, six months felt like a long time.

One last treatment was available: a Phase 1 clinical trial. Jennifer agreed to try it. She said she knew the drugs probably wouldn’t save her life, but maybe someday they would save someone else. She joked that lab rats had better lives than she did.

Jennifer had always been grateful that chemo hadn’t taken her long, beautiful blond hair. But these new drugs were brutal. Her hair came out in clumps on her pillow. I watched her body change from the vibrant ocean swimmer she had been to someone frail and barely recognizable. The woman who could outwalk and outswim me now needed help to move from one room to the next. The end was closing in. This would be our last summer together.

And this is where a question began — one I still carry today: What did Jennifer suffer quietly, never telling me?

I know she hid things. Not because she didn’t trust me, but because she loved me. She curled her pain inward so I wouldn’t have to carry all of it with her. I think about the fears she must have swallowed whole. Not the obvious ones — not the fear of cancer or dying or treatments that burned her skin and hollowed her bones. Those she faced openly. Those she let me see.

It’s the quieter fears I wonder about — the ones behind her eyes.

Maybe she feared becoming a burden. Maybe she feared watching me watch her suffer. Maybe she feared losing herself long before she lost her life — the swimmer, the walker, the strong woman who once outpaced me on any beach. Maybe she feared the shrinking of her world, the panic that made the front door feel like a cliff’s edge. And maybe — though she never said it — she feared leaving me alone in a house that once echoed with two voices.

There was pain she hid too. The physical pain, yes — the burns, the nausea, the exhaustion that made her bones feel hollow. But also the humiliation of losing independence, of needing help to move from one room to the next. She tried to stand straighter when I entered the room. She tried to smile when she was breaking.

I wonder what thoughts she kept from me in those last months. Did she count her remaining days? Did she lie awake listening to her own breathing? Did she realize before I did that we would not grow old together?

I will never know. Her silence wasn’t distance — it was devotion. She protected me from the full weight of her fear, even when she was too weak to lift her head. That was her last act of love.

Sometimes I wish she hadn’t. Not because I needed to know, but because she shouldn’t have had to carry any of it alone. I would have held every fear, every pain, every trembling thought. I would have carried it all if she had let me.

But she didn’t. She was always like that — even at the end. Protecting me quietly, suffering quietly, loving quietly.

And so the question remains — the one I will carry for the rest of my life: What did she endure in silence so I wouldn’t have to?

I’ll never know. And maybe that’s the shape love sometimes takes — the part that remains unknowable.

On September 14th, 2011, the hospice nurse who visited us daily said, “Maybe it’s time for inpatient hospice care.” She tried to soften it with “it’s not always a one‑way trip,” but I knew it would be. And so did Jennifer. Sometimes I wake up at night trembling, tears flowing down my cheeks as I follow the red taillights of the ambulance taking her on her last road trip. I have traveled every mile of that trip in my mind, and always will.

I spent the next eleven days in hospice, sleeping with my arms around my dying wife, waking to the sound of her breathing or gently pressing my lips to hers to check for air. And sometimes, I heard the sound that still echoes in my head at night — the death rattle.

On the morning of September 25th at 7:28, I didn’t have to check. Something felt different. The room felt hollow. Jennifer’s soul was gone. She had quietly slipped away sometime in the night. I wondered if she whispered goodbye and I didn’t hear. Knowing her, she probably didn’t want to wake me. Seminary never taught me this: the human soul is real. And hers had left the room.

The first three years after her death are a blur. I drank — sometimes fine scotch, sometimes whatever I could afford. I wrote poems deep into the night and listened to music until morning. A neighbor joked that I was channeling Edgar Allan Poe. Maybe I was. My doctor prescribed tranquilizers, antidepressants, and sleeping pills. A shrink told me I had PTSD. I snapped: “You’re nuts. PTSD? I haven’t been in a war.” They explained that I had been in a fourteen‑year battle against an enemy I couldn’t see — and that I lost the one person I couldn’t bear to lose.

I stopped the pills nine years ago. I stopped drinking ten years ago this December. I understand now: the dreams and flashbacks are part of a condition I’ll likely carry for life. And September will always be the hardest.

My first major break — the first time I truly lost my grip — was when a little white cat named Chloe died. The cat Jennifer had loved so much. The last living, touchable thing I had of her. The day I lost Chloe, I melted down. I nearly wrecked the exam room. Two friends explained to the staff what was happening, and they kindly said, “Let him go. We’ll clean up later.” Chloe’s body became Jennifer’s. Just like that morning in hospice when I had to be pulled away from my wife.

The most recent time was a few years ago, when Jennifer’s sister Gayle died. No one knows how important Gayle was to me. But in short: if there had never been a Gayle, there would have never been a Jennifer.

Every day, I try to be happy. I made a poster I look at each morning: “The dream lives; you were her dream; be happy.” I was loved. Deeply. Fiercely. And she would want me to be happy. I try. I really do. But then September comes, and the battle intensifies.

Still, I try to be as brave as she was — the woman who curled up on a hospital floor and still found the strength to fight. The woman who joined Phase 1 trials not only for herself, but for someone she’d never meet. She wanted us to grow old together. She wanted me to be happy.

But damn you, September. Your fall beauty hides your cruelty — the short days, long shadows, lonely nights, and memories that never fade.

I’ve survived fifteen Septembers without her. I will survive this one. And the next. Because carrying the weight of those years means I’m still carrying her.

And I know I’m not the only one who has traveled this road. Grief has a thousand faces, and none of them walk alone. I hope that by writing this — by laying out the bumps, the breaks, the nights that nearly swallowed me — it might help someone else get over their own rough patches and keep on keeping on.

I know if I can, they can.

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Mystical Moments

I’ve always believed in mysticism, not as superstition. But as the language of the Universe, symbols, rhythms, numbers, and crows that visited me in an unexpected place at an unexpected time. But they were there. Not long after my wife passed away, the crow woman was my loving nickname for her. For me, numbers are one of the many ways to listen deeper, to honor the unseen, to shape memory and resistance with rhythm. Some of that comes from my mother’s Cherokee Heritage, some of which flows through my veins.

My nephew keeps nudging me when he constantly posts just the numbers 333, that’s all, no explanations, just the numbers, but he knows I know.

I often see numbers repeated; it’s the constant repetition that matters. I’ve been seeing numbers a lot lately, this time it’s 1111 and 444, again and again. In many different places, on clocks, receipts, timestamps, and even in the quiet corners of memory.

1111 is the Breath’s invitation. A portal. A whisper from the Universe that something is aligning. It shows up when I’m on the edge of a new chapter—when the words are ready, when the healing deepens, when the sanctuary expands.

444 is the Breath’s shelter. A reminder that I’m not alone. That our ancestors, angels, or whatever name we give to the unseen, are walking beside me. It arrives when the work is hard, when the jaw clenches, when the lungs ache—and it says: “Keep going. You’re protected.”

Together, they’ve become part of my sanctuary strategy. Not superstition, but poetic geometry. A way to track the invisible architecture of healing.

“The match strikes at 1111.
The harbor holds at 444.”

I don’t claim to know the whole meaning. But I know how it feels. And that’s enough.

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Chapter 1: Ties, Offices, and Draft Cards

I need to revisit something I said in the introduction. I called my life ordinary. That was a misfire. Looking back, it’s been anything but. What I should’ve said is that there were ordinary moments scattered through an otherwise extraordinary life. I grew up alongside kids who mapped out their futures with surgical precision—future CEOs, most likely. Me? I had a plan too, though it felt more like a whispered plea to the universe: Please, God, don’t let my life be beige. No cubicle coma. No death by fluorescent light. I’ll tell you soon how close I came to that fate—until I tossed my tie into the Hudson River like a message in a bottle. Still the best decision I ever made.

As I started writing about my life, one emotion kept erupting like a brainquake—volcanic, relentless. It left me slack-jawed, arms limp, staring at the screen like I’d just seen a ghost. If you’ve ever tried writing in that state, you know it’s like trying to type underwater. And that emotion? The gut-punch realization that, holy hell, this is ancient history. Am I really that old? Who was she? Who was he? Did I actually do that? A Ulyssean train wreck of memory and feeling, barreling through time.

From the moment we’re born, we’re shaped by sound, sight, touch, and experience.

I was sixteen in 1962 when the Cuban Missile Crisis hit—a high-stakes staring contest between the U.S. and the Soviet Union, triggered by Soviet missiles in Cuba. It was the closest we ever came to turning the Cold War into a full-blown nuclear nightmare. But in my corner of Staten Island, the “wonder years” of the 1950s still lingered like the scent of summer on a football jersey. My friends and I spent our days at the beach, dreaming of October and kickoff season. But that October was different. For thirteen days, the whole country held its breath. I did too, hoping the football field would still be there when morning came.

My dad had worked on the Manhattan Project. He didn’t talk much about it, but I knew he carried the weight. He once said the first bomb should’ve been dropped on Mt. Fuji as a warning, not on Hiroshima. That act, he believed, was revenge—rage disguised as strategy. And now, just seventeen years later, we were back on the brink, flirting with annihilation.

Three books helped shape me in those early years. First was Elie Wiesel’s Night—a raw, haunting account of surviving Auschwitz and Buchenwald. Years later, I’d sit at the dinner table with a Tufts professor who’d lived through it. His stories etched themselves into my memory like carvings in stone. The second was Black Like Me, where John Howard Griffin darkened his skin and walked through the segregated South to see what it meant to be Black in America. I couldn’t have known then that I’d one day I’d call Phil Berrigan—a white priest who rode with the Freedom Riders—a friend. The third was Fail-Safe, serialized during the Cuban Missile Crisis itself. It imagined a nuclear war sparked by a glitch. Fiction, yes—but terrifyingly plausible.

Heavy reading for a sixteen-year-old. I don’t know what other kids were reading, but those books rewired my brain. The wonder years ended in 1962. I graduated from high school in ’64, skipped the ceremony, and refused the yearbook photo. Some of my teammates had gone off to war. Some came back in boxes. I didn’t want the pomp. I wanted silence. My mom was quietly heartbroken. My dad understood, though he never said so.

In ’63 and ’64, I had a summer gig at WSLT Radio in Ocean City, New Jersey. Two hours each way from Staten Island, but I had a license and a dream. Sunday mornings were mine—I was king of the airwaves. The worst part was driving through Newark, where the air tasted like burnt rubber and my gum absorbed the pollution. I think of that now, as climate change becomes the new crisis.

I was supposed to start at Pace University in September ’64. Tuition paid. The catch? A lifetime at Cunard Steamship Company. I lasted six weeks. One hot day, I walked into Battery Park and threw my tie into the Hudson. That was my declaration of independence. My boss called. My mom worried. My dad? Not surprised.

I kept the Sunday radio gig.

Meanwhile, the world was shifting. In December ’63, Eugene Keyes burned his draft card on Christmas Day. In May ’64, I got mine—and joined a protest in Union Square. Fifty of us. My mom thought I was with my girlfriend. My dad probably knew better. Burning that card was symbolic. I had a deferment, and I wasn’t headed to Vietnam. But I broke two laws: failing to carry the card and destroying government property. I kept the ashes in my pocket.

I haven’t been back to New York since 1968. But one day, I’ll return to Battery Park. And remember.


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