White Hall Station

Sometimes a chapter needs another walk around the block, and this one did. I went back, rewrote it, and finally gave a little mouse named Archibald MacLeash the explanation he deserved. If you’ve read the book, this fills in the cracks. If you haven’t, well—welcome to the neighborhood.

The night before my induction, I couldn’t sleep. I lay in bed staring at the ceiling, looking for answers. My heart pounded like I’d just run the 40‑yard dash. A drumbeat I wasn’t sure I could march to — too fast, too loud, too soft, and definitely its own rhythm. But I knew exactly where I did not want to march.

I tried everything: counting breaths, replaying old football games, thinking of my girlfriend, even astral projection — maybe I could end up on some tropical island, safe and away. I wanted to be anywhere but, in that room, in that bed, wondering where I might be tomorrow night. But dread snuck in under the door and settled in my brain. I wasn’t afraid of dying. I was afraid of disappearing — of becoming a number, a uniform, a cog in a machine I didn’t believe in.

The draft lottery — America’s twisted game show of fate — wouldn’t begin until 1969. But in 1964, the draft was still run by local boards, deferments reviewed by hand. At eighteen, I burned my college deferment card, thinking I was making a statement. I wrote letters to President Johnson and to my Staten Island draft board, asking to be reclassified 1‑A. You can’t refuse what you haven’t been offered. And I was tired of hiding behind loopholes, even if I hadn’t meant to hide in the first place.

By ’69, they granted my wish. I was 1‑A — fit for service, next in line to toe the line, or not. Five years of business schools and seminaries had led me here. From the gridiron to leg irons.

And then the morning came.

I was up by 6 a.m. — not that I’d slept. I left a note for my mother saying I’d gone to visit friends. I wondered how long I’d really be gone. I took the bus to the Staten Island Ferry, crossed the Hudson, and walked the two longest blocks of my life to Whitehall Station. Even writing about it now, I can feel that god‑awful sickness in my stomach. I can’t do this.

Fight or flight? Mine was freeze and sit. No exit. Just a heart pounding like a drumline on speed. I was about to jump off a cliff and couldn’t see the bottom. Compared to this, the Coney Island Parachute Jump was a kiddie ride.

Whitehall Station sat in lower Manhattan like a bureaucratic bunker — the place where boys became soldiers or tried not to. It shut down in 1972, two days before my birthday, while I was in Danbury Federal Correctional Institution. I’d wanted it torn down. I’d done my best to see that happen.

As I climbed the steps, I saw Mr. Harold Jones waiting outside. My eighth‑grade science teacher — but more than that. Over the years, he’d become my confidant, the one adult who understood what I was feeling. He made science feel like storytelling, helped along by a fictional mouse named Archibald MacLeish who lived in his coat closet. I never saw him, but I saw him. Still do.

Mr. Jones said he named the mouse Archibald MacLeish after the poet — “because even a mouse can carry big ideas,” he told me once, tapping his temple like he was winding up a thought. MacLeish wrote about truth, about standing your ground when the world tries to bend you, about the kind of dissent that isn’t loud or showy but stubborn and necessary. He believed democracy wasn’t something you admired from a distance — it was something you practiced, even when it cost you. Jones figured a mouse could teach eighth‑graders more about courage and conscience than any textbook. The beret, the cane, the red bandana — that was all me. That’s how I pictured him: a tiny philosopher with a rebel’s wardrobe, the kind of creature who’d whisper, Don’t let them turn you into something you’re not. Archibald showed up whenever I needed him — not as a hallucination, not as a joke, but as a reminder that dissent can be quiet, steady, and small, and still shake the world.

Mr. Jones didn’t say much that morning. He didn’t have to. He told me to stay who I was. Said it was something to be proud of.

Inside, the induction ceremony began. The room smelled of sweat. The air was thick with the breath of boys pretending not to shake. The recruiter’s voice was flat, rehearsed, like he’d stopped listening years ago.

“Please repeat after me…”

“I do solemnly swear…”

Repeat. Repeat? Hell, I could barely breathe.

“…that I will bear true faith…”

And suddenly I wasn’t in Whitehall anymore. I was back on the football field, hearing my coach yell, “Go in hell‑bent for leather, Little Sandy!” My dad was Big Sandy. The coach used that nickname to rile me up. Hell‑bent for leather — without fear.

My heart picked up the chant until it drowned out everything else.

Then came the words: Step forward.

I sat down.

The recruiter blinked, confused. Thought I was sick. I stood, breathed, sat again.

“I’m not moving,” I said, though I wasn’t sure I could even if I wanted to.

The sergeant’s face turned fire‑engine red. My heart was a jackhammer. I was frozen in defiance — or fear. Maybe both. I prayed he wouldn’t hit me. If he did, I wasn’t sure I could stop myself from hitting back. I may be a peacenik, but I know myself. Anger lives in me too. If I struck him, I wouldn’t be going to jail for trying to end a war, but for starting one.

Two MPs grabbed me like a sack of potatoes and hauled me to a holding cell. I expected that part. I was prepared. No blows were thrown. An Army lawyer came in to make sure I knew what I was doing. I asked if he knew what he was doing — and what he was part of. He accepted my yes and left.

Then came the police car, the ride to Staten Island, and my first night in jail. Five miles from the gridiron. A lifetime away.

As they carried me out of Whitehall, I refused to walk — part of my plan for total non‑cooperation. Mr. Jones stood on the grimy sidewalk. He smiled. Gave me a thumbs‑up. I flashed him a peace sign from between a cop’s holster and his arm.

And behind him — I swear — I saw Archibald MacLeish strutting down the sidewalk, beret tilted, cane tapping a rhythm only I could hear. He paused near the induction center door, tipped his hat, and whispered, “Courage isn’t loud. It’s the quiet refusal.” Then he vanished into the crowd.

Mr. Jones arranged to bail me out, though I was released on my own recognizance. I spent the rest of the day at his home — resting, recovering, trying to make sense of what had just happened. And what would happen next. To my mother, I was simply visiting Mr. Jones. I was old enough to say, “Don’t call my parents,” and the authorities obliged.

A trial date was set for April. The weeks leading up to it blurred into paperwork, legal advice, friends’ advice, and panic. I walked Manhattan like I always had, but now I memorized the cracks in the sidewalk, the rhythm of subway trains, the smell of roasted peanuts from corner carts — anything to anchor me.

Oddly, I’d always found the Financial District peaceful on a Sunday morning. Wall Street’s insanity gave way to silence. I walked it a few times in those last days. And Times Square — the lights of Broadway weren’t going to shine on me, but they still shine inside my memory. So do the beaches of Staten Island.

I didn’t know what I was looking for. Only that it wasn’t in New York anymore.

And so the city’s noise faded behind me. The cracks in the sidewalks, the drumbeat of the subway, even Broadway’s lights became part of a memory I carried but could no longer live inside.

What I needed was silence. Steadiness. A place where the ground didn’t demand allegiance.

Somewhere in the back of my mind, I could still hear Archibald’s cane tapping — that quiet rhythm he kept for me when I couldn’t keep one for myself. He’d been at Whitehall, and he’d be on the mountain too. Courage travels light.

Emily’s mountain was waiting. Quiet, immovable, patient — just like she was — offering refuge without question.

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Gridiron for Leg Irons

In the winter of
Nineteen hundred and sixty-four
Something was going on,
Called the Vietnam War.

But all we could hear,
At the stadium that night
Was the roar of the crowd,
As we continued our fight.

But older friends
Had joined the fray,
And died in a swamp
Many worlds away.

The play was called.
And I started my run.
As another friend died
Under the gun.

The play I remember
Was Buck-forty-five
As the government kept telling
Us, lie after lie.

Then came the day
They said I must go.
But I stood on the line and shouted
My NO!!

They locked me in chains,
Both hands and
Both feet.
But the mind of the boy
Would not face defeat.

The judge said,
Son, “What will you do?”
I said, “Your honor.
It is all up to you.”

If you think I was wrong, then
To jail, I must go.
If you believe I was right
There’s a great Broadway show.
Perhaps we could go.

And with those words
In the blink of an eye
I traded the gridiron
For leg irons
And two years
At Danbury FCI.

Rating: 1 out of 5.

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November 15, 1969 — Vietnam Moratorium

On this day in 1969, the Vietnam Moratorium Committee staged one of the most potent anti-war protests in American history. Students, activists, religious leaders, veterans—millions of us—took to the streets, calling for an end to the war and the withdrawal of American troops.

And I was there. I remember the sound of voices rising together, the signs carried high, Peace Now, Bring the Boys Home, Stop the Killing. It wasn’t fringe, it wasn’t small. It was a broad coalition of Americans from every walk of life, standing shoulder to shoulder in a peaceful, nonviolent demand for change.

The Moratorium wasn’t just one day. It was a series of protests, teach-ins, vigils, and marches that grew month after month. On November 15, 1969, it culminated in Washington, D.C., where more than half a million people gathered—the largest anti-war demonstration in U.S. history. From Arlington National Cemetery to the Capitol Building, we marched and listened to voices that carried moral weight: Senator George McGovern, Coretta Scott King, Pete Seeger, Muhammad Ali, John Kerry, Daniel Ellsberg, and Abbie Hoffman.

President Nixon wasn’t swayed. Just weeks earlier, he had given his “silent majority” speech, asking Americans to back his plan for “Vietnamization”—gradually withdrawing U.S. troops while shifting responsibility to South Vietnamese forces. He claimed to have a secret plan to end the war, but offered no details. His approval ratings soared, and many rallied behind him.

But for those of us in the streets, the war was not an abstract policy. It was blood and loss, friends drafted, lives shattered. We weren’t silent, and we weren’t a minority. We were the conscience of a nation, refusing to let the killing continue unnoticed.

Looking back, the Vietnam Moratorium was more than a protest. It was a turning point in public opinion, proof that ordinary people could gather in extraordinary numbers to demand peace. It showed the world that America’s heart was divided, and that many of us believed the war was morally, politically, and economically wrong.

I was there, and I carry that memory with me still—the chants, the music, the hope, and the stubborn belief that voices raised together can bend history.

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Clamshell Echoes: A Rambling Harbor Reflection on Seabrook and Sanctuary

There was a time when the salt air of New Hampshire carried more than the scent of low tide; it had the pulse of resistance. I remember it not as a headline or a footnote, but because I was there as part of the Clamshell Alliance, and we stood stubborn and unarmed against the Seabrook Nuclear Power Plant.

We weren’t just protesting a facility; we were trying to protect a way of life. The marshes, the estuaries, the fragile coastline — they weren’t just geography. And when the government said “progress,” we said “not here.”

My friend Ron Rieck, a pacifist apple picker with the soul of a poet, climbed the weather observation tower in January 1976 and stayed there for 36 cold hours. Alone but not isolated, he turned that tower into a lighthouse of resistance. I was supposed to go up there with him. That was the plan. But duty called me back to Baltimore, to Jonah House, where the work of peace and resistance and support was unfolding in its own sacred rhythm. I wasn’t there in body on the tower with Ron, but I was there in spirit, tethered by purpose and friendship.

In May of 1977, over 2,000 of us occupied the construction site. This time I was there. I felt the ground beneath me, the tension in the air, and the quiet resolve of people who knew they might be arrested but refused to be silenced. More than 1,400 of us were taken into custody. We slept on armory floors, shared stories, and turned confinement into communion.


The Clamshell Alliance wasn’t just a protest group—it was a blueprint for change. We organized in affinity groups, practiced nonviolence, and made sure our resistance was as disciplined as it was passionate. We weren’t radicals. We were caretakers. And we believed that energy should be clean, democratic, and rooted in respect for the land.

Seabrook eventually went online in 1990, but not without delay, bankruptcy, and a legacy of resistance that still echoes. The plant may have risen, but so did we. And in that growing, we shaped a movement that inspired anti-nuclear activism across the country. Jonah House, as the war in Vietnam ended, became involved in Nuclear disarmament, as Phil Berigan said. “Nuclear weapons are the scourge of the earth; to mine for them, manufacture them, deploy them, use them, is a curse against God, the human family, and the earth itself.”

Now, decades later, I sit in Rambling Harbor and remember. Not with bitterness, but with pride. Because sometimes, the most powerful thing you can do is stand still. To plant your feet in the sand and say, “This matters.”

We were clamshells—fragile, beautiful, and unbreakable in our unity. And though the tide has shifted, the memory remains. A protest becomes a poem. A moment becomes a movement. And a harbor becomes a sanctuary.

Here is a line from Allen Ginsberg’s Plutonian Ode: “I declare the end of War!” “I chant your absolute Vanity. Yes, you are pure Void.” “I enter your secret places with my mind…” “I call upon the soul of Man to arise and walk.”

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